Friday, September 13, 2024
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Louise Morris

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LAB council members and academics at King’s College are embarking on a new project to explore and celebrate grassroots campaigns and organisations that counter violence against women and girls in Latin America -- through a podcast series, website, workshop and book.
This is the second of two articles with testimony from Chile’s protest movements. The first can be read here. See also our January article 'Chile's long hot summer of discontent' Stop Press: there were new street protests in Santiago over the weekend of 16-17 April in the El Bosque neighbourhood, amid tensions over food shortages. Following a recent surge in coronavirus...
This is the first of two articles with testimony from Chile’s protest movements and the impact of Covid-19. See also our January article 'Chile's long hot summer of discontent' Sebastian Piñera’s government has taken the opportunity of Chile’s self-imposed isolation measures to paint over the political slogans that came to symbolise the fight against inequality in Chile. Now new watchwords are...
LAB caught up with Sandra Ramos on her recent visit to London to learn of new developments in the Women's Movement and the impact of recent regressive laws in Nicaragua.
Documentary film by Ana Lucía Cuevas centres on a filmmaker's search for answers about what happened to her brother, his wife and child, all abducted during the Guatemalan Civil War.
Legan Rooster is a prolific self-taught artist based in Tegucigalpa whose vivid images reflect his perception of Honduras' chaos, injustices, and oppression.
This post comes from the Honduras Memoria Creativa blog. The full blog can be read, in both English and Spanish, here. “If they thought they would silence our voices with the din of their rifles, they will see instead that it is we who will silence their gunshots with our song. Long live art in resistance!” Café Guancasco have become the...
A new blog which aims to provide an introduction to the music, art, illustration and literature of a country so often depicted as merely the home of coups and catastrophes.

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