Saturday, September 18, 2021
Human Rights Watch has found that Ecuador’s criminalisation of abortion violates human rights and discriminates against Black and Indigenous people.
By comparing the discourse of a Colombian broadsheet and a pacifist feminist organisation, Isabelle Gribomont demonstrates how language can impact the ways victims are understood and treated in a (post-)conflict society.
The challenges of creating a collaborative mural in Bogota to represent the perspective of women forced into prostitution by the armed conflict.
Ballet classes are helping empower a generation of dancers and bringing hope to a neglected Rio de Janeiro favela. How has dance proven to be a vehicle for social transformation?
Imperdonable is a compelling short film that condemns the hegemonic model of masculinity in El Salvador.
In 'Animales Extintos', Lucas Quintana takes a closer look at the cultures within which machismo exists, offering a sensitively rendered vision of the toxicity of certain male friendships, and their potentially noxious consequences.

A sunflower in her hair

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A day after Marielle’s murder, Brazilian poets spontaneously posted poems about her murder and legacy on various social media accounts. These poems were then published in 2018 in a collection published by Quintal Edições titled: Um girassol nos teus cabelos – poemas para Marielle Franco.
LAB is excited to invite you to the second instalment of the Voices of Latin America webinar series, this time focusing on LGBTQ+ rights and machismo.
Feminist groups in Argentina and abroad greeted the New Year in celebration as the country’s National Congress voted in favour of the Voluntary Interruption of Pregnancy Bill, which will allow childbearing people in the country to access abortion for free in public hospitals up to 14 weeks pregnancy.

Argentina, we dance

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Argentina’s strict lockdown measures have seen an outpouring of solidarity for queer tango in Buenos Aires. Edgardo Fernández Sesma, LGBTQI+ activist and queer tango teacher holds tango classes using none of the heteronormative gender dynamics traditionally assumed by ‘male’ and ‘female’ dancers.

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